Showing posts with label iphone. Show all posts
Showing posts with label iphone. Show all posts

Friday, September 25, 2015

Haitian films and the Iphone revolution


Lotre jou mwen tap pale de sineas ki fè fim sou iPhone. Mwen pale de yon fim ki rélé "Tangerine" koté ké sineas yo fé fim la Los Angeles avèk yon IPhone é bon jan lens profésyonèl (read the article again HERE.)

And now we have "The Painter of Jalouzi", a new film shot entirely on the iPhone 6s plus which focuses on Duval, the man who painted bright colors on the homes we see in the hills of Petion-Ville when we land in Haiti. The filmmakers at RYOTT worked with Apple and used the iPhone 6s Plus (which shoots in 4K). It's a short film shot in less than a week and it is available on YouTube already. Kidonk, nenpòt moun, nenpòt koté ka fè yon fim. Watch the film below!













Tuesday, July 14, 2015

Make a movie with your phone

Sundance hit "Tangerine" was shot on an iPhone. Not just any iPhone. An iPhone camera "enhanced" with anamorphic lenses. This reinforces the notion that you can make a movie anywhere you are even with very limited resources. Filming in the mountains or in rural parts of Haiti could be less of a challenge with the iPhone and the correct accoutrements. 

"Tangerine" is about two Trans women prostitutes in Los Angeles on a mission to get to the bottom of a rumor. It's a colorful story both in tone and on screen. The colors pop on the big screen (it was released theatrically!). So if you're a Haitian filmmaker in Haiti or anywhere in the world for that matter, how do you accomplish the same feat? 

First, Tangerine was shot widescreen, 2:35:1 aspect ratio. Second, the filmmakers used a steadicam to minimize shakiness. Third, they used an app to control the focus and color temperature. There are a few apps out there but the Tangerine filmmakers used Filmic Pro. And last but not least lenses. Even with DSLR cameras, there is a dizzying array of lenses: macro, zooms, super telephoto, primes, tilt-shift etc. Your choice of lenses depends on what you're shooting, how you want to capture it and your location. Tangerine filmmaker Sean Baker says he used a set of anamorphic adapter lenses from Moondog labs to create the look for the film.

All of that being said, you'll need a solid team of pros for post production. You'd need one anyway, but when using a camera phone you have to make sure you get the same quality you'd get from professional cameras. 

More details on Moondog Labs website. http://www.moondoglabs.com/blog/sundance-premiere.html

WATCH THE TANGERINE TRAILER BELOW.